Bolstered by an even more eclectic bunch of sounds (snarling rock, country twangs, folky fingerpicking), ‘Visions Of A Life’ was miles more adventurous and self-assured than its predecessor, and even more astonishing for frontwoman Ellie Rowsell’s poetic but razor-sharp lyrics. MN, After straying into weirder territories on fourth album ‘Velociraptor!’, the Leicester louts remembered exactly what they’re best at on its follow-up. The 2010s saw artists refresh and revive songs that we never thought needed improvement. Classic albums. There have been a few changes since we first unveiled numbers 50 through 26 because, well, curating this was hard. EH, Set in a fictional hotel and casino on the moon’s Tranquility Base landing station, the Sheffield lads went galactic on this curveball: a slab of lounge-jazz examining consumerism, modern tech, and the trappings of rock stardom. This Is What Makes Us Girls. The best album covers of the 2010s accomplish the same aesthetic magic as classics like Joni Mitchell's Blue and My Bloody Valentine's Loveless. No wonder Pharrell called him “this era’s Bob Dylan” for his “masterful storytelling”. Sublime reflections on faith and redemption (‘Ultralight Beam’) give way to gross-out gags about bleached bumholes (‘Father Stretch My Hands Pt. This was a sumptuous but subtle and artfully applied palette of art rock and chamber sounds layered over scenes of Thom Yorke’s existential conundrum, tortured by groupthink propaganda and his own heartache. ‘All And Everyone’ 6. It also ushered in a new era of festival headline sets and admiration from some of the world’s biggest stars. 10. ‘This Must Be My Dream’. Arcade Fire have never shied away from a grandiose expression of emotions, but while on subsequent albums like 2013’s bloated ‘Reflektor’ and 2017 misfire ‘Everything Now’ they let their loftiness bog them down, ‘The Suburbs’ tempers the group’s preachier tendencies with a powerful injection of humanity. It was a little rough, but epitomised what was, and still is, so singular. © 2020 NME is a member of the media division of BandLab Technologies. Goosebump moment: The nightmarish turbo-charged ‘Kill V Maim’ – about a gender-switching space-travelling vampire – which sounds like a bunch of cheerleaders gone feral. Empty Room 6. Goosebump moment: The choir kicking in during ‘When The God Of Love Returns There’ll Be Hell To Pay’. Somehow the record also finds space for – deep breath – Dave Grohl, Trent Reznor, Jake Shears, Alex Turner, James Lavelle, Brody Dalle and Elton John. 13 Written while the world felt like it was flying off the rails during Trump’s ascendance to office, Sunflower Bean’s second album didn’t offer up the expected reaction. PC, Tracklisting: 1. Faced with a proper grown-up label deadline and inspired by 11th-century German mystic Hildegard of Bingen, Boucher shut herself away for three weeks, taking speed and going up to nine days without sleep in an attempt to access deep-level creativity. ‘I Want It All’. Thee Maximators - Dust Damages (2018) 3. JM, 15 years into their career and light years from their deathcore beginnings, the Sheffield band embarked on an odyssey in sound, turning in a pop-metal album that touches on ambient and electro-pop with cameos from Dani Filth and Grimes. It seemed to mirror lyrics from ‘Where Can I Go?’: “like a woman with her clothes on / You take them off and she’s a bird”. The lyrics of ‘Let England Shake’ took almost two years to perfect, as she digested works on the First World War, the Bosnian conflict and the war on terror, trying to make the words work as standalone poetry. SM. Blessedly, ‘The Magic Whip’ conspired to strike out in unfamiliar territory while still sounding unmistakably like Blur, whether charting extraterrestrial melancholy on ‘Thought I Was a Spaceman’ or unapologetic love songs like ‘Ong Ong’. Swoon-a-rama. Lana would purr for validation, and then growl for redemption. And don’t tell us that “Everyone’s on bugle/Now we’re being watched by Google” won’t still be funny in 2030. HM. Goosebump moment: ‘It drives you crazy getting old’, the lyrics synthesising the agony of adolescence when closing the chorus of ‘Ribs’. HM. About sex, glamour, and money. Hints of their particular ‘80s-styled synths and fidgety guitar lines cropping up as far afield as in the music of K-pop groups such as Day6 or Pentagon. ‘A Brief Inquiry Into Online Relationships’, ‘I Like It When You Sleep, For You Are So Beautiful Yet So Unaware Of It’. Despite comparisons to Radiohead’s ‘OK Computer’, it was an album that stood proudly unique – social commentary wrapped up in sounds that pushed boundaries and spanned genres. It was a brave, mysterious release, thrusting a confident identity into the mainstream before anyone knew what to do with it. After trying on goth-rock and expansive soundscapes, here they turned to new wave and shoegaze. This dazzling 2013 mixtape was Chance’s breakthrough moment, with intelligent and affecting sing-song raps about childhood nostalgia, Chicago street violence and, as the title suggests, drugs (“lean all on the square, that’s a fucking rhombus”) playing over jazzy beats and hip-hop samples from the likes of Slum Village and Kanye West. And their one and only album ‘Go Tell Fire To The Mountain’ was a hungering slab of supercharged indie rock, lorded over by Ellery Roberts’ feral and unholy snarl. Her debut album ensured that those 15 minutes – which started with the release of her viral hit ‘Bodak Yellow’ – wouldn’t be over any time soon, either. Much like ‘Supercut’, the whole record felt like a montage of moments; a flip-book of memories crashing into each other and causing a pile-up in your heart. The latter spared for the former’s life in a robbery and, two decades later, they all reaped the rewards. One of the best album covers of the 80s, Purple Rain encapsulates the decade’s aesthetic. I was convinced my music was a gift from God. Tame Impala, Frank Ocean and Drake – the latter on the gargantuan single ‘Sicko Mode’ – all helped lay down the tracks on this thrill-ride, but it was Scott who was ultimately in charge of pushing the lever. Modern Man 4. ‘Born to Die’ is Lana’s worst-reviewed album. Try this: Solange – ‘A Seat At The Table’ DB, Tracklisting: 1. Albums released between January 1, 2010 and December 31, 2019 with 15 or more reviews in Metacritic's databas… 3. His decision to end with the Dre-assisted ‘Compton’ underlined the point that ‘good kid, m.A.A.d City’ is this generation’s ‘Straight Outta Compton’, destined to grace ‘best of’ lists forever more. SM, When Wolf Alice first burst out of Camden’s locks, they felt like the cohesive gang that indie had been missing for some time, and ‘My Love Is Cool’ was a spot-on debut. 4. So brash it makes your eyes hurt, so unique there’s no mistaking it for an other artist and so stylish you want to buy the t-shirt. Its Ritalin-sharp focus is what sets it apart from the rest of West’s oeuvre. GR. Skepta’s fourth full-length was a landmark moment in UK grime. 2. Artwork by: Stanley Donwood Features Best Albums Of The 2010s: 30 Classics That Defined The Decade. ‘R U Mine?’. Goosebump moment: When the title track shifts from a sludgy, steady march into a whirlwind of wild riffs and Ellie’s strained, sharp shrieks. 14. 8. Not only did the album bring punk back to the masses with relentless invective but, as on the wonderfully titled ‘Cheer Up London’, it asked the questions we’d end up asking for the rest of the decade. Bestselling books of the last decade. EH, After hiding behind a cartoon facade for two albums, Gorillaz became that much more real on ‘Plastic Beach’. Goosebump moment: ‘Duckworth’, the real-life tale of an incident that occurred between Kendrick’s father and Anthony Triffith, founder of the label to which Kendrick is signed. Preferably with a pouty selfie, too. ‘I Wanna Be Yours’. Goosebumps moment: The raw pain in Matty’s rasping voice as he declares, “Well I think I’ve gone mad/Isn’t that so sad?” on ‘The Ballad Of Me And My Brain’. Pure music mythology, and ripe for rediscovery. It bottles the comforting yet ultimately empty glow of nostalgia, but also a sense of dread about the future that now feels more than a little prophetic. The Horrors – ‘Skying’ Artwork: Neil Krug, 9. Radio 9. Fuzz - Fuzz (2013) 2. 6. We thought the robots might have abandoned us forever. It was hard to know if he wanted you to laugh or cry at his winking solo John Lennon-esque showtunes, which took on life, the universe, the endless churn of capitalism and VR sex with Taylor Swift. Here are our 50 best rap albums that have dropped this decade. Given the life Iggy has lived, that’s saying something. TH. 7. ‘Hard Feelings / Loveless’. You’ll have your thoughts – you always do – but for us at NME, these are our absolute favourite albums of the ‘10s and I truly believe every album in our Top 10 is a work of art. ‘Guilt Trip’, 9. Goosebump moment: The speaker-detonating climax of ‘Contact’. On their 2013 self-titled debut album, The 1975 started out as a radio-friendly pop band, all attention-grabbing earworms and hefty hooks that helped them pack out festival tents and commandeer the charts. Goosebump moment: When ‘Lisbon, OH’ seamlessly transitions into the stunning vocoder ballad ‘Beth/Rest’. ‘Compton’. Before ‘2’, Mac was touring half-empty venues out of his car. In that sense, this pretty specific tale is actually universal. The Harlem-born and raised rapper had a few false starts with this record, one that was supposedly the product of an eye-watering $3million deal. Goosebump moment: When ‘I Always Wanna Die (Sometimes)’ swells into a stereo-filling, stadium-sized hit of grandeur and emotion. 4. On it, they stepped into the daylight and made something to match – a dreamy, bright pop album that still featured the moments of weirdness that made Joe Mount’s outfit special in the first place. Goosebump moment: Bowie’s devastating farewell with a wink as he sighs: “Look up here, I’m in heaven/I’ve got scars that can’t be seen/I’ve got drama, can’t be stolen/Everybody knows me now“. Their breakthrough came with yappy math-rock debut ‘Antidotes’ (2008) but it was ‘Total Life Forever’ that bore greater emotional heft and grander sonics. Young Kendrick discovers his talent over the course of the narrative, with ‘Backseat Freestyle’ recounting early lyrics with which he attempted to will himself into superstardom: “All my life I want money and power… I pray my dick get big as the Eiffel Tower/So I can fuck the world for 72 hours”. Later on ‘Bound 2’, the most brilliantly unsentimental love song of all time, he constructs this zinger: “So hey, maybe we can make it to Christmas/She asked me what I wished for on the wishlist/Have you ever asked your bitch for other bitches?”. Amazon.in - Buy Classic Album Covers of the 60s: Over 200 of the Best Covers of the Decade book online at best prices in India on Amazon.in. Key track: ‘Freaking Out The Neighborhood’, Goosebump moment: Mac’s voice cracking as he sings fan-favourite album closer ‘Still Together’. It was an affecting and engaging formula that paid dividends to Drake’s career and an approach he’s successfully replicated in many of his subsequent releases, Goosebump moment: The Just Blaze-produced ‘Lord Knows’ is a booming, gospel-infused interlude which briefly but brightly breaks away from the record’s otherwise largely sparse and melancholic production style. Artwork by: Jonathan Barnbrook, 1. 6. This section will be updated periodically throughout the end of the year. This disparate collection of pilfered genres and stolen sounds came together seamlessly with Turner’s too-clever-by-half lyrics about love, lust and the grey area in-between. That was to confuse and frighten, a crucial reset after becoming the band that gave their song to an X Factor winner to desecrate. Kanye’s detractors, you suspect, have two primary grumbles. City With No Children 7. Classic albums. Goosebump moment: The tinkling piano chords signalling a jump back to the future, after the vocalised introduction of ‘I Know There’s Gonna Be (Good Times)’. In their own words: “It sounds like a Dr Dre beat, but we’ve given it an Ike Turner bowl-cut and sent it galloping across the desert on a Stratocaster.” Alex Turner, NME, July 2013. And often laugh-out-loud funny words, consider this list for having the best covers. Uk ’ s best hip-hop short: a bit of a house party 4 2020! 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